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Velora Development Group

Materials

6 materials · Photographed in our own finished rooms

What an interior is actually made of.

Six materials do most of the work in almost every room we build. Here is how each one is specified, what it asks of the install, and how it behaves once you live with it.

A plastered arch outlined by a continuous cove light above a cove-lit oak wainscot
A bank of white oak drawers with slim brass pulls under a marble counter

01 · Rift-sawn, hardwax oil

White oak

Rift-sawn so the grain runs straight and the boards stay flat, finished in hardwax oil rather than a film so a scratch can be spot-repaired instead of resanded. It is the default for millwork, floors and stair treads because it takes a knock and still looks intentional five years in.

Used for millwork, flooring, stair treads and wainscot

02

Marble and natural stone

Selected at the yard, laid out against the vein

Rust and gold veining running through a marble counter above brass pulls

A slab is a one-off, so it gets chosen in person and the cuts get drawn against the vein before anything is fixed. Mitred edges are built so the vein wraps a corner and the joint disappears. Book-matched panels are dry-laid first, because a butterfly only lands once.

Counters, feature walls, floor inlays, window benches

A grey stone double shower with a bench and a full-width lit niche

03 · For wet rooms that have to stay flat

Large-format porcelain

Where a room takes water every day, large-format porcelain gives the look of stone without the sealing regime. It is unforgiving to install: the substrate has to be dead flat and the drain dead level, or every joint tells on you. That is the work, and it happens before anything is visible.

Showers, wet rooms, bathroom floors

Close view of a polished Venetian plaster wall finish

04 · Troweled in coats, not rolled

Venetian plaster

Plaster shows every sin in the wall behind it, so it starts with the substrate. Built up in coats and burnished, the movement in the finish reads as depth rather than as patchiness. It is the one finish that makes a flat wall worth looking at.

Feature walls, arches, barrel vaults, niches

05

Unlacquered brass

Left to patina

A brass tap set into a marble vanity top

Unlacquered means it will darken and mark with use, which is the point: it ages with the room instead of chipping like a plated finish. If you want it to stay bright it takes a polish now and then. We will tell you which you are choosing before it is ordered.

Hardware, tapware, shower sets, trim and inlays

A Calacatta wet room with a frameless door and a reeded glass return panel

06 · Landing on a joint, not across one

Frameless and reeded glass

Frameless glass is set out with the tiling, so the panel lands on a joint rather than across one and the hinge falls where the substrate can carry it. Reeded glass does the same job as a wall when a room needs light through it but not a clear view.

Shower enclosures, partitions, balustrades

Not sure what suits the room, or the budget? That is what the walkthrough is for.

Book a walkthrough

Let’s talk about your project

(437) 494-5762

Mon to Sat, 8am to 6pm

Service area

Toronto and the GTA

Residential and commercial

(437) 494-5762Get a quote